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I have written out 40 great Michael Brecker licks that I have picked up and used over the years. Last week I cleaned them up and numbered them so they are easier to read.

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I give these out to my more advanced students who want to start getting into this stuff. I went through a stage in the late 80’s and early 90’s where I was consumed with Michael Brecker.

I had never heard a tenor player with such authority or command of the horn. I’m sad that he is gone. He has left an incredible legacy with all his recordings. I’ll always be grateful for the impact and influence he has had on my life.

These licks can be used in a variety of ways. Most of them are just plain chromatic patterns, some are over a minor tonality, some outline more of a 3 tonic kind of approach(Giant Steps). I usually will talk with students in person on how to use these but for all of you out there in cyber-space I have created some video lesson to talk about how to use these in your own playing. You can find the lessons at my Neffmusic. These are great to get under your fingers. I hope you like them.

If you want to get more into the Brecker style of playing I would recommend buying as many recordings as you can of him. Hal Leonard also has a few transcription books out of his solos. There are also some great sites out there with free transcriptions that you can find if you search around for them. Steve To get the 40 Brecker licks for FREE, you can just sign up for my Neffmusic mailing list on the top left of this site. You will then receive an email with a link to download the PDF shortly afterward.

Thank you so much for the great job you are doing to help further our jazz studies. Though I make my living as a repairer of musical instruments I am a student of jazz and have been fortunate enough to be involved with a big band and a combo for the last several years. As my children began to leave “the nest” I had decided to dedicate the next half of my life to a more serious study of the sax but I didn’t know exactly how I would go about doing this until a friend of mine turned me onto your si.

Well I would compliment a good transcription but I wouldn't know what to do with it. Now why would I want to play 47 years to sound like someone else? Not a rhetorical question by the way if someone cares to answer it. Phil, I don't think any of us (obviously, including myself) are silly enough to think that we'll ever have the technical ability that Brecker had, but much like playing ANY transcription(s), for me it's simply about trying to see and play things that wouldn't naturally come out of my horn and to maybe 'steal' little snippets here 'n there, hoping to incorporate some of those things into my own playing. I think it's ALL about trying to expand our saxophone vocabulary and can be very inspiring (frustrating too!). I'm a HUGE admirer of what Michael Brecker did, but will also say that I don't try to sound like him. Hell, I can't!

One thing I do a lot is to play a bunch of the transcriptions that Miles Osland did (on Charles McNeal's site) of Sonny Stitt. Talk about learning jazz saxophone vocabulary! In my not so humble opinion, Stitt was THE 'Godfather' of modern/bebop saxophone vocabulary/licks. Plus, reading transcriptions from the likes of Brecker, Stitt, Coltrane, etc., sure as hell test ones reading abilities! That's now I sees it!;-) John. Phil, I don't think any of us (obviously, including myself) are silly enough to think that we'll ever have the technical ability that Brecker had, but much like playing ANY transcription(s), for me it's simply about trying to see and play things that wouldn't naturally come out of my horn and to maybe 'steal' little snippets here 'n there, hoping to incorporate some of those things into my own playing. I think it's ALL about trying to expand our saxophone vocabulary and can be very inspiring (frustrating too!).